Nottingham Wall Hangings

For two weeks I served as an artist-in-residence at The Nottingham, an adult living community in Central New York. The Nottingham campus includes three facilities: Assisted Living, The Glens (Independent Living), and Skilled Nursing (Residential Health Care Facility). Residents and staff collected plastic shopping bags that were cut, collaged and heat-fused with the help of residents from The Glens and the Assisted Living facilities. My “studio space” was set up in a very public location in each space which facilitated regular interactions with residents as they moved from one space to another.

Three wall hangings (one for each facility) was created from the 37 unique compositions made by and with residents. Some compositions had strong narrative structures and others were more jazz-like in construction. During the work sessions over a two week period, I got to know the residents and they got to know me.

The final three wall hangings required editing, cropping, etc. of the components made. I strived to preserve the original intent of the participants and attempted to highlight vignettes that the contributors and observers to the project found particular successful. 

Snippets. 36.5″ x 42.5″. Installed in the assisted living facility.
Detail of Snippets.
Meditate on This. 42.5″ x 57″. Installed in the Independent Living Facility.
Detail of Meditate on This.
Stories We Tell. 61.5″ x 32.5″. Installed in the Residential Health Care Facility.
Detail of Stories We Tell

after the yellow wallpaper

The “The Yellow Wallpaper” by Charlotte Perkins Gilman is a seminal feminist text originally published in 1892. In the story, the narrator has been diagnosed with “nervous depression” and “slight hysterical tendencies,” or what might label “postpartum depression” today. Her husband, who is also her doctor, prescribes a summer of absolute rest in an old mansion where the narrator spends her days in an old nursery with barred windows and furniture that has been nailed down. She smuggled a journal that she hides in a mattress and writes in when she has the opportunity to provide her mind relief. The wallpaper in the room begins to occupy her mind in an otherwise barren room. Throughout the text the narrator extensively describes her experience of the wallpaper, “The color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow turning sunlight…. There is a recurrent spot where the pattern lolls like a broken neck with two bulbous eyes staring at you upside down…. Up and down and sideways they crawl, and those absurd, unblinking eyes are everywhere… There are things in the paper that nobody knows but me, or ever will… And worst of all by moonlight, it becomes bars! The outside pattern, I mean, and the woman behind it is plain as can be… I wonder if they all come out of the wallpaper like I did.” As the story progresses the narrator becomes increasingly fixated on peeling and removing the wallpaper from the room. This installation is an attempt to simulate the narrator’s manic experience with the wallpaper. Like the narrator, the viewer must become physical with with wallpaper. Rather than compulsive peeling, viewer must use the heat of their bodies to warm the wallpaper surface in order to reveal its secrets. ARVE Error: Mode: lazyload not available (ARVE Pro not active?), switching to normal mode
Detail of After the Yellow Wallpaper.
Detail of After the Yellow Wallpaper.
Detail of After the Yellow Wallpaper.
Detail of After the Yellow Wallpaper.
After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
Detail of After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
Detail of After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
After the Yellow Wallpaper opening of SHE: Deconstructing Female Identity at Arts Westchester in 2016.
After the Yellow Wallpaper opening of SHE: Deconstructing Female Identity at Arts Westchester in 2016.
After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
After the Yellow Wallpaper installed during SHE: Deconstructing Female Identity at Arts Westchester in 2016.
ARVE Error: Mode: lazyload not available (ARVE Pro not active?), switching to normal mode

woven

Film, as physical object, is a long piece of plastic with a consistent grid of variegated cells. A discarded pile of unwanted film off of the reel is akin to a pile of unwanted yarn that has the potential to be woven into something new and desirable. The layers of transparent film result in recombinant images and unexpected juxtapositions uncommon in the woven.

Woven
Woven
Woven. Detail.
Woven. Detail.

consumption quilts

Consumption Quilts is an attempt to recapture what has become mundane. This series is inspired by depression era feedsack quilts. During that period foodstuffs come in cloth with intricate patterns and thrifty women made beautiful and useful quilts and clothing out of the sacks. Since the 1960s more and more packaging is made out of plastic and covered with advertising.

This project is an exploration in expanding the life of plastic bags and their surface patterns.

consumption quilt study 10.75" x 10.75".
consumption quilt study
10.75″ x 10.75″.
consumption quilt #5 (Invader) 6" x 16"
consumption quilt #5 (Invader)
6″ x 16″
consumption quilt #3 (After Tradition) 13.5" x 13.5"
consumption quilt #3 (After Tradition)
13.5″ x 13.5″
Consumption Quilt #4 (After Tradition 2) 23" x 22.5"
Consumption Quilt #4 (After Tradition 2)
23″ x 22.5″

scribe

Scribe is the result of a creative experiment exploring the relationships between texture, movement and sound. Could seemingly disparate sounds, textures and images become unified? We discovered that with a moderate level of consistency between specific movements and sounds, and between particular images and sounds an audio-visual vernacular developed. Analogous to how a child might begin to associate words with meaning, the viewer begins to feel like they understand the conversation, even if they cannot articulate specific audio-visual definitions. Advertising often deploys similar tricks– as we have the desire to assume that simultaneous sounds, images and concepts are interdependent.

circle drawings

Circle Drawings is an exploration transparency, texture, light, layers and drawing with thread on plastic. Each drawing is a study in formal design qualities. I designed a piece of software that randomly generates compositions of three layers of circles. I use that software to generate a number of compositions and choose the most interesting to pursue. I then translate that rough composition into three layers of plastic where some circles are additive and some are subtractive.

I continually add to the Circle Drawings collection. The modular nature of the project allows for each installation to be in response to the specific site.

Circle Drawings
Circle Drawings
Circle Drawings Detail of a drawing.
Circle Drawings
Detail of a drawing.
Circle Drawings Detail of one Circle Drawing.
Circle Drawings
Detail of one Circle Drawing.
Circle Drawings. Detail.
Circle Drawings. Detail.

stitched girl

Low quality plastic shopping bags were layered and heat fused using an iron. During the heat fusing process the plastic shrinks and forms a wide variety of wrinkles on the surface. I developed this drawing in response to those wrinkles by choosing which wrinkles to emphasize and which to downplay as I embroidered. This piece was not pre-planned, as there were a number of “unknowns” that unfolded as the piece developed.

Embroidered girl dancing. Embroidery is non-traditional and heavily textured.
Stitched Girl
Detail of non-traditional embroidered surface.
Stitched Girl
Detail of legs.
Stitched Girl Detail of surface texture.
Stitched Girl
Detail of surface texture.
Detail of non-traditional embroidered surface.
Stitched Girl
Detail.

circles on 16 squares

Although not entirely practical as a quilt, Circles on 16 Squrares, is an experiment in using plastic bags in lieu of fabric. This project is partially inspired by 1920s-1940s feedsack quilts that were made from cloth remnants saved from bags foodstuffs were sold in. Plastic replaced many kinds of paper and fabric packaging in the 1960s. Due to the pollution caused by plastics, many municipalities are moving towards laws that limit plastic and encourage reusable materials like cloth. The most interesting quality of plastic bags when used to create quilts and other creative works is its transparent properties.

Circles on 16 Squares Installed at Lapham Gallery.
Circles on 16 Squares
Installed at Lapham Gallery.
Circles on 16 Squares
Circles on 16 Squares
Detail of stitching.
Circles on Squares Detail of individual quilt square.
Circles on Squares
Detail of quilt square (third down in first column).

matrilineage

Matrilineage began with a group interview of four generations of women in my family. I was particularly interested in discovering how different generations of women related to and thought about technology. Earlier generations focused both on innovations that afforded change in their lives and technologies of necessity, rather than recreation. Younger women take many of these earlier inventions for granted, as domestic labor has grown to be less physical and more mechanized. As such, many of their stories focus more on leisure.

Some of the stories that emerged during that conversation evolved into the foundation of Matrilineage. I hand made a QR code to represent each woman using materials and techniques that reflect the individual. Each QR code leads to a specific story archived on the project website. The stories are personal narratives about about a specific piece of technology and the impact that technology has had on the individual. The videos that accompany the audio narratives were created by Emil Lendof.

The final QR code in the series represents you. Scanning that particular QR code will lead you to a web form where you can contribute your own story to the archive.

Matrilinage: Grandma QR Code
Matrilineage: Grandma
Size: 1.5″ x 1.5″
Medium: Cross Stitch
Matrilineage: Gram QR Code
Matrilineage: Gram
Size: 5.5″ x 5.5″
Medium: Hand-Quilted Custom Designed Fabric
Matrilineage: Mom QR Code
Matrilineage: Mom
Size: 3.5″ x 3.5″
Medium: Hand-woven 1/8″ Ribbon
Matrilineage: Me QR Code
Matrilineage: Me
Size: 7″ x 36″
Medium: Hand-Embroidered Custom Silk
Matrilineage: Sis QR Code
Matrilineage: Sis
Size: 2″ x 2.5″
Medium: Woven Beads
Matrilineage: You QR Code
Matrilineage: You
Size: 4″ x 4″
Medium: Laser Cut Felt