consumption quilts

Consumption Quilts is an attempt to recapture what has become mundane. This series is inspired by depression era feedsack quilts. During that period foodstuffs come in cloth with intricate patterns and thrifty women made beautiful and useful quilts and clothing out of the sacks. Since the 1960s more and more packaging is made out of plastic and covered with advertising.

This project is an exploration in expanding the life of plastic bags and their surface patterns.

consumption quilt study 10.75" x 10.75".
consumption quilt study
10.75″ x 10.75″.
consumption quilt #5 (Invader) 6" x 16"
consumption quilt #5 (Invader)
6″ x 16″
consumption quilt #3 (After Tradition) 13.5" x 13.5"
consumption quilt #3 (After Tradition)
13.5″ x 13.5″
Consumption Quilt #4 (After Tradition 2) 23" x 22.5"
Consumption Quilt #4 (After Tradition 2)
23″ x 22.5″

scribe

Scribe is the result of a creative experiment exploring the relationships between texture, movement and sound. Could seemingly disparate sounds, textures and images become unified? We discovered that with a moderate level of consistency between specific movements and sounds, and between particular images and sounds an audio-visual vernacular developed. Analogous to how a child might begin to associate words with meaning, the viewer begins to feel like they understand the conversation, even if they cannot articulate specific audio-visual definitions. Advertising often deploys similar tricks– as we have the desire to assume that simultaneous sounds, images and concepts are interdependent.

do you know her?

Do You Know Her? is an exploration of “female archetypes” that appear in women centered magazines from the 1930s to the present. The semiotics that surround advertisements marketed towards women include: home appliances, detergents, beauty products, personal hygiene products, feminine hygiene products, grocery items, children, household products, wedding rings, pots & pans, and lingerie. The advertisements, originating in printed magazines, layered onto the mannequin, and then onto the window, demonstrates the layered marketing techniques the media/companies use to promote ideas of “ideal womanhood.”

The mannequin acts as an instrument of extraction, to emphasize the body that is imaged again and again. Important to note that the mannequin and the advertisement, the bodies, image the “ideal woman” as “white.” It makes “ideal womanhood” inaccessible to women of color, thereby enforcing a cycle of idealization and struggle to obtain a womanhood that is impossible. “Ideal Womanhood,” then, continues to reinforce ideas of subordination, inadequacy and self doubt and perpetuates the power systems that promote this ideology.

Do You Know Her? Trading Cards.
Do You Know Her?
Trading Cards.
Do You Know Her? Installed at Company Gallery.
Do You Know Her?
Installed at Company Gallery.
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I am a cyborg and so are you

Cyborgs are cybernetic organisms, participating in a cybernetic culture. In our current condition of global capitalism,we are participating beings in a larger networked system. We have a very intimate relationship with technology from the toilet, shower and running water in our bathrooms to computers, surveillance cameras and the worldwide web. Technology is integrated in our lives at many levels. Adopting theories of cyborgs or cyborg culture is a label of privilege that identifies histories of colonizers. The workbook, installation and performance all work together to reveal these ideas through dialogue and interactive activities.

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Cyborgeration
Cyborgeration
Cyborg Workbook Pages from the Workbook.
Cyborg Workbook
Pages from the Workbook.
 Cyborg Surgery Crossword
Cyborg Surgery Crossword

selling madonna

Selling Madonna looks at the history of images of mother and child. Specifically the project looks at representations of mother and child in advertising published in parenting magazines in the year 2005 and looks at similar images from renaissance paintings. Together the set of images presents an iconography of motherhood that is over 500 years old and continues to saturate media images today.

As the viewer walks past the images they morph from images that distinctly read as advertisements to images that reference Christian Renaissance Art of the Madonna and child. The process of morphing creates grotesque images of motherhood that, for me, question reality and the truth of photos and paintings. How many mothers are actually represented by these classic images, or, more importantly, how many mothers or images of parenting are left out? Motherhood is not always romantic, as the classic images might suggest.

selling madonna#6 of 8. Animation reflects how lenticular lens works.
selling madonna#6 of 8. Animation reflects how lenticular lens works.
selling madonna#3 of 8. Animation reflects how lenticular lens works.
selling madonna#3 of 8. Animation reflects how lenticular lens works.
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spatial dialogue

Spatial Dialogue investigates perceptions of space, such as the relationships between exterior and interior or public and private space. Creating in the intersection between new media, choreography and set design, the three collaborators were interested in an exploration of the impact of space on physicality and movement and its representation through technology.

Funded with a Sokol Grant from Marymount Manhattan College. Premiered at Marymount Manhattan College’s Theresa Lang Theatre on December 12, 2009. Video documentation available upon request.

Spatial Dialogue Mystery in the Box Sequence. Performed at the Theresa Lang Theater.
Spatial Dialogue
Mystery in the Box Sequence. Performed at the Theresa Lang Theater.
Spatial Dialogues Opening sequence. Performed at the Theresa Lang Theater.
Spatial Dialogue
Opening sequence. Performed at the Theresa Lang Theater.
Spatial Dialogue First Section. Performed at the Theresa Lang Theater.
Spatial Dialogue
First Section. Performed at the Theresa Lang Theater.

Production Credits

  • Choreographer: Nancy Lushington
  • Light and Set Design: Robert Dutiel
  • Set Design Assistant: Catriona Jones
  • Digital Media Design: Rebecca Mushtare
  • Assistant Digital Media Artist: Jeff Lewis
  • Costume Design: Michelle Ferranti
  • Rehearsal Assistants: Meghan Rose Murphy, Kirstin Sierer
  • Cast: The MMC Dance Company

Music

  1. Force composed and performed by Armand Amar.
  2. Sextet composed and performed by by Chris Fitkin.
  3. Begin Again Again? for Hypercello Solo – Energetic composed by Tom Machover and performed by Matt Haimovitz.
  4. Concerto in C Major for Two Trumpets & Strings, RV 537: II. Largo composed by Antonio Vilvaldi and performed by Wynton Marsalis.
  5. A Ramble at St. James’s Park composed and peformed by Michael Nyman
  6. A Zed and Two Noughts-Film Score (1985) – Prawn-watching composed and peformed by Michael Nyman.
  7. Machine composed and performed by Armand Amar

circle drawings

Circle Drawings is an exploration transparency, texture, light, layers and drawing with thread on plastic. Each drawing is a study in formal design qualities. I designed a piece of software that randomly generates compositions of three layers of circles. I use that software to generate a number of compositions and choose the most interesting to pursue. I then translate that rough composition into three layers of plastic where some circles are additive and some are subtractive.

I continually add to the Circle Drawings collection. The modular nature of the project allows for each installation to be in response to the specific site.

Circle Drawings
Circle Drawings
Circle Drawings Detail of a drawing.
Circle Drawings
Detail of a drawing.
Circle Drawings Detail of one Circle Drawing.
Circle Drawings
Detail of one Circle Drawing.
Circle Drawings. Detail.
Circle Drawings. Detail.

stitched girl

Low quality plastic shopping bags were layered and heat fused using an iron. During the heat fusing process the plastic shrinks and forms a wide variety of wrinkles on the surface. I developed this drawing in response to those wrinkles by choosing which wrinkles to emphasize and which to downplay as I embroidered. This piece was not pre-planned, as there were a number of “unknowns” that unfolded as the piece developed.

Embroidered girl dancing. Embroidery is non-traditional and heavily textured.
Stitched Girl
Detail of non-traditional embroidered surface.
Stitched Girl
Detail of legs.
Stitched Girl Detail of surface texture.
Stitched Girl
Detail of surface texture.
Detail of non-traditional embroidered surface.
Stitched Girl
Detail.

sn’app

Sn’aap Symphony is a beatbox application designed to work in your desktop browser or on your iOS device. The app allows for up to 8 audio tracks that each have their own sound clip, volume, rhythm and pitch controls. Adding new tracks is easy — just tap the “+” at the bottom of the screen. To edit or remove tracks, simply tap the track you would like to manipulate and its edit window will pop up. The sounds available as beats were originally developed as syllables for Dictionary: A Semiotic Experience. Sn’aap Symphony was developed using Processing.js and the experimental library Maxim.js

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circles on 16 squares

Although not entirely practical as a quilt, Circles on 16 Squrares, is an experiment in using plastic bags in lieu of fabric. This project is partially inspired by 1920s-1940s feedsack quilts that were made from cloth remnants saved from bags foodstuffs were sold in. Plastic replaced many kinds of paper and fabric packaging in the 1960s. Due to the pollution caused by plastics, many municipalities are moving towards laws that limit plastic and encourage reusable materials like cloth. The most interesting quality of plastic bags when used to create quilts and other creative works is its transparent properties.

Circles on 16 Squares Installed at Lapham Gallery.
Circles on 16 Squares
Installed at Lapham Gallery.
Circles on 16 Squares
Circles on 16 Squares
Detail of stitching.
Circles on Squares Detail of individual quilt square.
Circles on Squares
Detail of quilt square (third down in first column).